[00:00.000] 作曲 : Cassandra Jenkins/Josh Kaufman[00:00.345] (Security Guard)[00:00.346] A woman's husband dies, or leaves, and she has to get a job as a truck driver[00:07.152] That doesn't diminish her femininity; she's trying to take care of her family[00:11.350] So these are real things that happened[00:14.600] Where you can apply these, these, um, important concepts[00:19.484] And understand that[00:20.823] When we lose our connection to nature[00:23.314] We lose our spirit, our humanity, our sense of self[00:28.387] We get further and further from that and we get to be Donald Trump[00:35.877] (Man)[00:35.878] Aw, man[00:36.228] (Cassandra Jenkins)[00:36.229] In conclusion...[00:39.961] Thank you[00:40.833] (Security Guard)[00:40.834] You're welcome[00:41.613] (Cassandra Jenkins)[00:41.614] Thank you for your passion[00:43.225] (Security Guard)[00:43.226] Also this space is a (?) building, and, um, very, uh, geometric shapes, very harsh edges, stone floors[00:54.535] Not very inviting for soft feminine sculptures[00:57.641] So what the curator and the designer did, they used soft flooring to speak to the softness[01:02.861] (Cassandra Jenkins)[01:02.862] Oh my God, I love that[01:04.969] (Security Guard)[01:04.970] Made the curtains which speak to the curves in the pieces[01:09.424] The curtains represent the, uh, hemp material that was used[01:14.445] Plus the pleading of the curtains give you a sense of movement in this very organic space and (?)[01:24.384] Plus, you have now a completely organic, holistic experience[01:31.784] From concept to manifestation[01:34.145] To movement around this very organic space[01:37.806] And here's something that she does so many spectacular things with this sculptures[01:44.784] Another things she does is, first she resolves the issue of, um, the understructure[01:51.452] Without the proper understructure,[01:53.601] when you get to the weaving, the knotting, the macrame,[01:57.853] it becomes very heavy and for it to hang correctly, it needs a proper understructure[02:03.145] (Man)[02:03.146] Right[02:03.341] (Security Guard)[02:03.342] So in the beginning her husband was helping her with the understructure[02:08.566] And she actually creates the pieces directly off of the, the substructure[02:15.975] No, um, sketches, she just works directly off of the structure[02:23.339] And, um, she, she's, uh, she's adding, whereas in the sculpture[02:32.446] (Cassandra Jenkins)[02:32.447] You're taking away[02:33.717] (Security Guard)[02:33.718] Yes[02:34.591] So now we have, um, in sculpture you have a masculine need which is warmth[02:43.137] You have a masculine technique which is chiseling[02:45.954] (Man)[02:45.955] Yeah[02:46.763] (Security Guard)[02:46.764] You have mostly men creating sculptures, so you get a uniquely masculine point of view from sculpture[02:54.710] And now we have a woman who's taking material, hemp material[02:58.753] Which is a feminine idea[03:01.132] Doing macrame, knotting, and weaving which is a feminine technique[03:06.042] Organically wound pieces[03:09.897] And she's creating, uh, a three-dimensional sort of sculpture[03:15.701] And the concept, looking into nature, looking into the Indian mythology[03:23.293] and seeing the interchange of male and female attributes[03:27.281] So from the concept to manifestation to the creation of the pieces[03:33.026] You have a uniquely feminine point of view of soft sculpture[03:37.527] So now you have a holistic view of sculpture,[03:40.828] you have an, an, you, you can't, and I'm not diminishing the male point of view[03:47.671] I think its important[03:49.071] You know, we have men, and we have women[03:51.677] But, you need to see both sides to get a complete picture[03:55.137] So now she's showing us from her female point of view[03:58.892] What soft sculpture (?)[04:01.985] (Cassandra Jenkins)[04:01.986] Thank you[04:03.688] Thank you so much[04:06.943] Thank you so much[04:08.064] (Security Guard)[04:08.065] I want you to fully enjoy it[04:10.448] Thank you for coming[04:11.811] (Man)[04:11.812] Definitely